Does The Spirit Need Liturgy?
Revd Graham Hunter spoke at the 2nd Festival of Theology in Nottingham on Wednesday 17th October 2018. The text of his talk is below.





‘Liturgy, then, is a work performed by the people for the benefit of others. In other words, it is the quintessence of the priesthood of all believers in which the whole priestly community of Christians shares. To call a service “liturgical” is to indicate that it was conceived so that all worshippers take an active part in offering their worship together.’ (White, 1990, p32)
How then can we understand more fully the spiritual point of these works of the people? And how did we move from the works of the people to the words of the people – words usually presented in a baffling array of bold and italicised text?!The works and the words give both substance and form to our expressions of Christian faith in relation to other Christians. There are some things that basically all Christians in all place and all ages have done. There are some common ‘works of the people’ which span continents and centuries.I may have almost nothing in common culturally with a 6th century Coptic orthodox Christian, or a 21st century Brazilian Pentecostal, or a 16th century German Lutheran, but yet I remain connected to each of them in the body of Christ. Our running trellis somehow connects these disparate parts of the vine.What are the uniting works of Christian peoples? What have most all Christians done in all times and places?Well, this is not an exhaustive list, but
- first, we have gathered together to receive in worship the revelation of God in Christ as witnessed to by Holy Scripture;
- second, we have initiated new members of our community by baptism, as commanded by Jesus;
- third, we have recalled the saving work of God and renewed our response to the new covenant in celebrating Holy Communion;
- fourth, we have prayed for God’s kingdom to come on earth as in heaven and we have interceded for the nations; and
- fifth, we have served the poor, the sick, the lowly and the lonely – seeking to embody the compassionate love of God for all people.
These works of the people are uniting – whether we prostrate ourselves in worship or raise our hands, whether we wear funny clothes or create funny sub-cultures – there are still some basic features of Christian life that we hold in common with others. These ‘works of the people’ or liturgies are a gift of the Spirit to unite us – that we may be one as the Son and the Father are one.But what then of words? How did we end up with so many words? Words have a symbolic function – they stand in for deeper realities. But like all good symbols, there is a trusted connection that bears authority between that which is signified and the signifier. The form of words bears their content and gives them authority to convey meaning. Words have power, and they have power to connect us and draw us into communion with God and one another.But many church traditions are sceptical about the use of liturgical words – the use of fixed words and set texts in our gathered worship. Much of the free evangelical tradition, and indeed with it the charismatic movements, have a lingering suspicion of ordered textual worship.Tom Wright has a brilliant analysis of this - he believes that this suspicion is rooted in the lingering influence of philosophical romanticism and existentialism. Not that people would use these terms of course, but the argument as Tom Wright makes it goes like this: the only thing which is true and authentic is that which comes unfiltered and spontaneously from deep within myself.Romanticism holds central the idea of the autonomous individual who must find ways to express the truthfulness of their 'self'.Existentialism is sceptical about conformity - that is, the idea that your words, thoughts and actions might be conformed to social conventions. To do so renders them inauthentic. Social conformity is a threat to individual expression.You can see how this might be played out in a Christian worship setting - we can find ourselves believing (consciously or sub-consciously) that the most authentic, and therefore spiritually pure, expression of our worship is that which comes from deep within ourselves, without the filters of set form or social conformity getting in the way. The only 'true' prayer or worship in this case is spontaneous prayer and worship. This can lead us to labelling as 'spontaneous' even things that we do routinely.The truth of the matter is that charismatic worship relies very heavily on set texts – but they’re the set texts of the worship song repertoire. The words of our songs as they appear on the projector screens / TVs are our set liturgical texts. They’ve been written by someone else, but we still use them to express our own spiritual devotion.Imagine if we abolished the set texts of our worship songs. Much of our worship would be rendered impossible for any kind of unity in participation. For charismatics, worship song words have a ‘catholicising’ effect: they help us express unity both within our local church, but indeed across a range of churches and denominations.Liturgy is given by the Spirit to have a catholicising effect – the words of our worship songs or our spoken liturgies enable us to be connected across the centuries and the continents. Christians in every time and place can experience what it means to abide in the vine that is Christ through the common life we share in our liturgies. ConclusionSo let me conclude by returning to my original metaphor, though with a brief excursion to an alternative metaphor first.The relationship between the liturgies of our gathered worship and the movement of the Holy Spirit can also be understood by way of a musical metaphor – that of jazz music. I love jazz music. In particular, I love the jazz music of Miles Davis, John Coltrane, and other pioneers of what is sometimes described as the free jazz movement of the 1950s and 60s. This form of music is characterised by amazing improvisation by musicians.As someone who has attempted over the years to play jazz music, I’ve come to realise that true improvisation is only possible when musicians have developed a deep understanding of the musical forms. Only when the deep rules of melody, harmony and rhythm have been learned and practised is it possible to break out of these forms and enjoy the freedom and creativity of improvisation.The best jazz musicians will know their scales, chords and music theory inside out, and can then move freely within and beyond their accustomed musical conventions.Understanding the deep rules and patterns of the liturgies that the Spirit has given to the church can enable us to enter into the joyful improvisation and freedom in worship that comes from the Spirit.And to return to the original metaphor, when we embrace this gift of liturgy, we take our place in that running vine which connects all Christians in all time and all places through both our works and our words – and abiding in that vine, we may bear plentiful spiritual fruit.